October 31, 2011

(via bookofmeandyou-)

October 31, 2011
fuckyeahgabrieljaime:

funny-pictures-uk:

Expertly done.

HARHARHARHARHAR

fuckyeahgabrieljaime:

funny-pictures-uk:

Expertly done.

HARHARHARHARHAR

(Source: imgfave, via bookofmeandyou-)

October 5, 2011

(via bookofmeandyou-)

October 5, 2011
ceceliaruca:

adsertoris:

The Torture Garden (French: Le Jardin des supplices) is a novel written by the French journalist, novelist and playwright Octave Mirbeau and was first published in 1899, during the Dreyfus Affair.  The novel is ironically dedicated: “To the priests, the soldiers, the  judges, to those people who educate, instruct and govern men, I dedicate  these pages of Murder and Blood.”
Published at the height of the Dreyfus Affair*,  Mirbeau’s novel is a loosely assembled reworking of texts composed at  different eras, featuring different styles, and showcasing different  characters. Beginning with material stemming from articles on the ‘Law  of Murder’ discussed in the “Frontispice” (“The Manuscript”), the novel  continues with a farcical critique of French politics as seen in “En Mission” : a French  politicians’ aide is sent on a pseudo-scientific expedition to China,  while his presence at home would be compromising (“The Mission”). Then  it moves on to an account of a visit to a Cantonese prison by a narrator  accompanied by the sadist/hysteric Clara, who delights in witnessing  flayings, crucifixions and numerous tortures, all done in beautifully  laid out and groomed gardens, and explaining the beauty of torture to  her companion. Finally she attains hysterical orgasm and passes out in  exhaustion, only to begin again a few days later (“Le Jardin des  supplices”, “The Garden”).
There is an allegory about the hypocrisy of European ‘civilisation’ and about the ‘Law of Murder’. There is also a denunciation of bloody French and English colonialism and a ferocious attack on what Mirbeau saw as the corrupt morality of bourgeois capitalist society and the state, which he believed were based on murder.
But Mirbeau’s multiple transgressions of the rules of verisimilitude,  his disregard for novelistic convention problematize the issue of the  novel’s genre affiliation and leave open the question of the author’s  moral message, leaving the readers of today in a state of wonderment,  perplexity, and shock.
Quotes
Woman possesses the cosmic force of an element, an invincible force  of destruction, like nature’s. She is, in herself alone, all nature!  Being the matrix of life, she is by that very fact the matrix of death -  since it is from death that life is perpetually reborn, and since to  annihilate death would be to kill life at its only fertile source. ~”The  Manuscript”
To take something from a person and keep it for oneself: that is  robbery. To take something from one person and then turn it over to  another in exchange for as much money as you can get: that is business.  Robbery is so much more stupid, since it is satisfied with a single,  frequently dangerous profit; whereas in business it can be doubled  without danger. ~”The Mission,” Chapter 2
There is only one trait which is irreparable in a statesman:  honesty! Honesty is negative and sterile; it is ignorant of the correct  evaluation of appetite and ambition - the only powers through which you  can found anything durable. ~”The Mission,” Chapter 3
You’re obliged to pretend respect for people and institutions you  think absurd. You live attached in a cowardly fashion to moral and  social conventions you despise, condemn, and know lack all foundation.  It is that permanent contradiction between your ideas and desires and  all the dead formalities and vain pretenses of your civilization which  makes you sad, troubled and unbalanced. In that intolerable conflict you  lose all joy of life and all feeling of personality, because at every  moment they suppress and restrain and check the free play of your  powers. That’s the poisoned and mortal wound of the civilized world.  ~”The Mission,” Chapter 8
Alas, the gates of life never swing open except upon death, never  open except upon the palaces and gardens of death. And the universe  appears to me like an immense, inexorable torture-garden. Blood  everywhere and, where there is most life, horrible tormentors who dig  your flesh, saw your bones, and retract your skin with sinister, joyful  faces. ~”The Garden,” Chapter 9
Ah, yes! the Torture Garden! Passions, appetites, greed, hatred, and  lies; law, social institutions, justice, love, glory, heroism, and  religion: these are its monstrous flowers and its hideous instruments of  eternal human suffering. What I saw today, and what I heard, is no more  than a symbol to me of the entire earth. I have vainly sought a respite  in quietude and repose in death, and I can find them nowhere. ~”The  Garden,” Chapter 9
——
*The Dreyfus affair (French: l’affaire Dreyfus, pronounced: [a.fɛʁ dʁɛ.fys]) was a political scandal that divided France in the 1890s and the early 1900s. It involved the conviction for treason in November 1894 of Captain Alfred Dreyfus, a young French artillery officer of Alsatian Jewish descent.  Sentenced to life imprisonment for allegedly having communicated French  military secrets to the German Embassy in Paris, Dreyfus was sent to  the penal colony at Devil’s Island in French Guiana and placed in solitary confinement.
Two years later, in 1896, evidence came to light identifying a French Army major named Ferdinand Walsin Esterhazy as the real culprit. After high-ranking military officials suppressed  the new evidence, a military court unanimously acquitted Esterhazy after  the second day of his trial. The Army accused Dreyfus of additional  charges based on false documents fabricated by a French  counter-intelligence officer, Hubert-Joseph Henry, who was seeking to re-confirm Dreyfus’s conviction. Henry’s superiors accepted his documents without full examination.[1]
Word of the military court’s framing of Alfred Dreyfus and of an attendant cover-up began to spread, chiefly due to J’accuse, a vehement public open letter published in a Paris newspaper in January 1898 by the notable writer Émile Zola. Progressive activists put pressure on the government to reopen the case.
In 1899 Dreyfus was brought back to Paris from Guiana for another  trial. The intense political and judicial scandal that ensued divided  French society between those who supported Dreyfus (the Dreyfusards[2]), such as Anatole France, Henri Poincaré and Georges Clémenceau, and those who condemned him (the anti-Dreyfusards), such as Hubert-Joseph Henry and Edouard Drumont, the director and publisher of the anti-semitic newspaper La Libre Parole.
Eventually, all the accusations against Alfred Dreyfus were demonstrated to be baseless. In 1906 Dreyfus was exonerated and reinstated as a major in the French Army. He served during the whole of World War I, ending his service with the rank of Lieutenant-Colonel.
Le Jardin des supplices available at Éditions du Boucher (French)
The Torture Garden (English).
Pierre Michel’s foreword.(French)
Tom McCarthy, Introduction to The Torture Garden.
Robert Ziegler, “Utopianism and Perversion in Mirbeau’s Le Jardin des supplices”.

ingenius.

ceceliaruca:

adsertoris:

The Torture Garden (French: Le Jardin des supplices) is a novel written by the French journalist, novelist and playwright Octave Mirbeau and was first published in 1899, during the Dreyfus Affair. The novel is ironically dedicated: “To the priests, the soldiers, the judges, to those people who educate, instruct and govern men, I dedicate these pages of Murder and Blood.”

Published at the height of the Dreyfus Affair*, Mirbeau’s novel is a loosely assembled reworking of texts composed at different eras, featuring different styles, and showcasing different characters. Beginning with material stemming from articles on the ‘Law of Murder’ discussed in the “Frontispice” (“The Manuscript”), the novel continues with a farcical critique of French politics as seen in “En Mission” : a French politicians’ aide is sent on a pseudo-scientific expedition to China, while his presence at home would be compromising (“The Mission”). Then it moves on to an account of a visit to a Cantonese prison by a narrator accompanied by the sadist/hysteric Clara, who delights in witnessing flayings, crucifixions and numerous tortures, all done in beautifully laid out and groomed gardens, and explaining the beauty of torture to her companion. Finally she attains hysterical orgasm and passes out in exhaustion, only to begin again a few days later (“Le Jardin des supplices”, “The Garden”).

There is an allegory about the hypocrisy of European ‘civilisation’ and about the ‘Law of Murder’. There is also a denunciation of bloody French and English colonialism and a ferocious attack on what Mirbeau saw as the corrupt morality of bourgeois capitalist society and the state, which he believed were based on murder.

But Mirbeau’s multiple transgressions of the rules of verisimilitude, his disregard for novelistic convention problematize the issue of the novel’s genre affiliation and leave open the question of the author’s moral message, leaving the readers of today in a state of wonderment, perplexity, and shock.

Quotes

  • Woman possesses the cosmic force of an element, an invincible force of destruction, like nature’s. She is, in herself alone, all nature! Being the matrix of life, she is by that very fact the matrix of death - since it is from death that life is perpetually reborn, and since to annihilate death would be to kill life at its only fertile source. ~”The Manuscript”
  • To take something from a person and keep it for oneself: that is robbery. To take something from one person and then turn it over to another in exchange for as much money as you can get: that is business. Robbery is so much more stupid, since it is satisfied with a single, frequently dangerous profit; whereas in business it can be doubled without danger. ~”The Mission,” Chapter 2
  • There is only one trait which is irreparable in a statesman: honesty! Honesty is negative and sterile; it is ignorant of the correct evaluation of appetite and ambition - the only powers through which you can found anything durable. ~”The Mission,” Chapter 3
  • You’re obliged to pretend respect for people and institutions you think absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemn, and know lack all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretenses of your civilization which makes you sad, troubled and unbalanced. In that intolerable conflict you lose all joy of life and all feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That’s the poisoned and mortal wound of the civilized world. ~”The Mission,” Chapter 8
  • Alas, the gates of life never swing open except upon death, never open except upon the palaces and gardens of death. And the universe appears to me like an immense, inexorable torture-garden. Blood everywhere and, where there is most life, horrible tormentors who dig your flesh, saw your bones, and retract your skin with sinister, joyful faces. ~”The Garden,” Chapter 9
  • Ah, yes! the Torture Garden! Passions, appetites, greed, hatred, and lies; law, social institutions, justice, love, glory, heroism, and religion: these are its monstrous flowers and its hideous instruments of eternal human suffering. What I saw today, and what I heard, is no more than a symbol to me of the entire earth. I have vainly sought a respite in quietude and repose in death, and I can find them nowhere. ~”The Garden,” Chapter 9

——

*The Dreyfus affair (French: l’affaire Dreyfus, pronounced: [a.fɛʁ dʁɛ.fys]) was a political scandal that divided France in the 1890s and the early 1900s. It involved the conviction for treason in November 1894 of Captain Alfred Dreyfus, a young French artillery officer of Alsatian Jewish descent. Sentenced to life imprisonment for allegedly having communicated French military secrets to the German Embassy in Paris, Dreyfus was sent to the penal colony at Devil’s Island in French Guiana and placed in solitary confinement.

Two years later, in 1896, evidence came to light identifying a French Army major named Ferdinand Walsin Esterhazy as the real culprit. After high-ranking military officials suppressed the new evidence, a military court unanimously acquitted Esterhazy after the second day of his trial. The Army accused Dreyfus of additional charges based on false documents fabricated by a French counter-intelligence officer, Hubert-Joseph Henry, who was seeking to re-confirm Dreyfus’s conviction. Henry’s superiors accepted his documents without full examination.[1]

Word of the military court’s framing of Alfred Dreyfus and of an attendant cover-up began to spread, chiefly due to J’accuse, a vehement public open letter published in a Paris newspaper in January 1898 by the notable writer Émile Zola. Progressive activists put pressure on the government to reopen the case.

In 1899 Dreyfus was brought back to Paris from Guiana for another trial. The intense political and judicial scandal that ensued divided French society between those who supported Dreyfus (the Dreyfusards[2]), such as Anatole France, Henri Poincaré and Georges Clémenceau, and those who condemned him (the anti-Dreyfusards), such as Hubert-Joseph Henry and Edouard Drumont, the director and publisher of the anti-semitic newspaper La Libre Parole.

Eventually, all the accusations against Alfred Dreyfus were demonstrated to be baseless. In 1906 Dreyfus was exonerated and reinstated as a major in the French Army. He served during the whole of World War I, ending his service with the rank of Lieutenant-Colonel.

ingenius.

October 3, 2011

(Source: liquidmeth, via bookofmeandyou-)

October 3, 2011
92y:
Interested in The High Line park? Seems thousands of you are.
Don’t miss the opportunity to get up close and personal with Diller Scofidio + Renfro, the mastermind architects behind The High Line, with The New Yorker’s Paul Goldberger, at 92Y tomorrow, October 4.
(Amazing photo of The High Line via Stuck in Customs/Flickr)

92y:

Interested in The High Line park? Seems thousands of you are.

Don’t miss the opportunity to get up close and personal with Diller Scofidio + Renfro, the mastermind architects behind The High Line, with The New Yorker’s Paul Goldberger, at 92Y tomorrow, October 4.

(Amazing photo of The High Line via Stuck in Customs/Flickr)

October 3, 2011
4doors:

Kiwi (by Valerie Santibañez)

4doors:

Kiwi (by Valerie Santibañez)

(via bookofmeandyou-)

October 3, 2011

(via bookofmeandyou-)

September 29, 2011

(via teen-ager)

September 15, 2011
6 Types of Love

Eros
a passionate physical and emotional love based on aesthetic enjoyment; stereotype of romantic love

Ludus
a love that is played as a game or sport; conquest; may have multiple partners at once

Storge
an affectionate love that slowly develops from friendship, based on similarity

Pragma 
love that is driven by the head, not the heart

Mania
obsessive love; experience great emotional highs and lows; very possessive and often jealous lovers

Agape
selfless altruistic love; spiritual;

(Source: Wikipedia, via teen-ager)

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Filed under: love 
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